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These images are central icons for both the Catholic and Orthodox churches. The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography , often known after the location of a notable icon of the type, such as the Theotokos of Vladimir , Agiosoritissa , Blachernitissa , etc. The term Madonna in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as Theotokos. Other types of Marian imagery have a narrative context, depicting scenes from the Life of the Virgin , e.

Madonna retitled Madonna: The First Album for the reissue is the debut studio album by American singer-songwriter Madonna , released on July 27, by Sire Records. After having established herself as a singer in downtown New York City , Madonna was signed by Sire president Seymour Stein , due to the club success of her debut single, " Everybody " She became the sole writer for most of the album's tracks, and chose Reggie Lucas as its primary producer. Unhappy with Lucas's production outputs, she invited John "Jellybean" Benitez to complete the album, who remixed three tracks and produced " Holiday ". Madonna has an upbeat synthetic disco sound, using new technology of the time, including the Linn drum machine , Moog bass and Oberheim OB-X synthesizer. She sang in a bright, girlish timbre, with lyrics about love and relationships.

In Madonna of the meadow Raphael has used aerial perspective to show how the landscape is far away from us, the viewer. The landscape in the background is filled with graceful curves. The only uneasy sign is the Christ Child grasping the cross of St. John, which is likely a means of foretelling the future Passion of Christ.

We are temporarily closed. Sign up to our emails for updates. All kneel to adore the infant Christ, who in turn raises his hand to bless them. They are crowded in a grotto overhung with rocks and dense with vegetation. The painting was part of a large, elaborate altarpiece made for the church of San Francesco Grande, Milan to celebrate the Immaculate Conception of the Virgin Mary.